- #KING TEMPO TROMBONE EASTLAKE SERIAL NUMBER#
- #KING TEMPO TROMBONE EASTLAKE PRO#
- #KING TEMPO TROMBONE EASTLAKE PROFESSIONAL#
The clear lacquer finish provides a subtle warmth to the overall sound. It has nickel silver outer handslide tubes with a single radius crook and chrome plated nickel silver inner handslide tubes providing the ideal surface for smooth and quick action. It offers a.500' bore with a responsive 8' seamless bell for easy projection and control. There are lots of scratches as well as some dents, most.
#KING TEMPO TROMBONE EASTLAKE SERIAL NUMBER#
King Tempo 606 Trombone in Hard Case 021 The King 606 trombone has the serial number 38 240488. Features The King 606 Trombone is made in the USA using nothing but the highest quality materials.
#KING TEMPO TROMBONE EASTLAKE PROFESSIONAL#
Built in Eastlake, Ohio, today's King trombones continue in that tradition offering the best in professional level playing characteristics and a true value to students of all ages. World renown artists, the likes of Tommy Dorsey, Ziggy Elman, Julian 'Cannonball' Adderley, Charlie 'The Bird' Parker, and Harry James, all trusted King as their choice of musical instrument. King 606 straight tenor trombone coloured pencil. A King Swamp - King Swamp - PLEASE EMAIL ME IF YOU HAVE ANY QUESTIONS, PLEASE JUST ASK SORRY BUT I ONLY SHIP WITHIN THE UK PLEASE LOOK AT MY OTHER LISTINGS, IF MORE THAN ONE ITEM. Brand new horn that had to be repaired and sold as used because someone couldn’t be bothered to clean out the old oil.Model 606 Since 1894 the King name has been synonymous with world-class high quality brass instruments. It has a single radius crook and chrome plated nickel silver inner hand slide tubes providing the ideal surface for smooth and quick action. Swore up and down they “did nothing to it - it works on all my other new Yamahas!” Got it back withbadly scratched pistons from being forced out improperly, and big balls of goo where the oils had reacted. Customer had applied Ultra Pure without cleaning out the Yamaha, let the horn sit for two days, and then freaked out when the pistons were frozen. There’s nothing wrong with using synthetics, but for any you use, clean regularly, and be sure to clean out all old oil before switching brands - this includes brand new horns! Many synthetics will react badly when mixed with other synthetics or petroleum products - I have had customers return instruments only to find out they mixed two brands of valve oil and there are beads of goo in all the pistons - really annoying, especially when the customer has caused damage I have to fix when they cannot get the pistons out! This happened recently with a brand new Yamaha.
King Voll- True II 1934 first saxophone with both bell keys on the right side. TheKing Saxello (soprano saxophone) both tilt neck and bell. Early horns also have a lion head by the serial numbers. The name King was adopted because they were inscribed Made by KING Craftsmen. I like the Berp products because they stay very clean, tend not to react with other oils, and I have not had a horn freeze up in storage in over 10yrs. Instruments included slide trombone, cornet, trumpet, clarinet, Trombonium valve trombone, baritone, flutes and saxophones. King was originally a model of trombone with a new type of slide that eventually morphed into a trade name. It works great until you let it sit a few months, and then is best cleaned out in a chem clean. It will degrade into a sticky yellow residue that is not fun to clean up! Yamaha synthetic likes to become a green cement in horns that sit too long, even new ones. If you don’t like to clean regularly, Hetman is not for you. I find most of the synthetics to leave a lot of residue over time, especially with horns that don’t get cleaned. I also agree with comments about Manchester Brass and Carolbrass - nice players at their price point. Are we looking for resale value or playability? Good questions to consider! In 5 years my chances would still be better on that Jupiter than on some of the worn out Bach Strads we’ve had that badly need a valve job, though the Jupiter may not have the same resale value as either of those horns. There is a Connstellation on my bench that I would never think of gigging on, but I could grab any one of those Jupiter 1100s and have a successful gig tomorrow.
#KING TEMPO TROMBONE EASTLAKE PRO#
Then we get into the vintage horn argument - is it really a bang for your buck if it’s a pro model and costs you less, but is worn to the point of being unplayable. A prime argument is that I could spend $1k more for a Bach or Yamaha than I did for my Adams A1, but they don’t suit me as well. You do get to the point of buying one instrument over another because it suits you better. When you get into professional trumpets, you don’t necessarily get into better quality for every dollar spent. It’s fine to say “buy the best”, but then we have many other arguments on what is the best and why.
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